Comparison Essay on Football and Basketball Football and basketball are two of the most common sports that are played in many parts of the world. For an individual who is torn between selecting which of the two sports he should play, it can be very helpful to know the characteristics of the two sports and compare these qualities in order to select the one that interests a particular person the most. One of the most obvious differences between the two sports lies in the way they are played.
Eliot presents his conception of tradition and the definition of the poet and poetry in relation to it. He wishes to correct the fact that, as he perceives it, "in English writing we seldom speak of tradition, though we occasionally apply its name in deploring its absence.
Eliot, a classicistfelt that the true incorporation of tradition into literature was unrecognised, that tradition, a word that "seldom For Eliot, the term "tradition" is imbued with a special and complex character. It represents a "simultaneous order," by which Eliot means a historical timelessness — a fusion of past and present — and, at the same time, a sense of present temporality.
A poet must embody "the whole of the literature of Europe from Homer ," while, simultaneously, expressing their contemporary environment. Eliot challenges the common perception that a poet's greatness and individuality lie in their departure from their predecessors; he argues that "the most individual parts of his [the poet's] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously.
This fidelity to tradition, however, does not require the great poet to forfeit novelty in an act of surrender to repetition. Rather, Eliot has a much more dynamic and progressive conception of the poetic process: When a poet engages in the creation of new work, they realise an aesthetic "ideal order," as it has been established by the literary tradition that has come before them.
As such, the act of artistic creation does not take place in a vacuum. The introduction of a new work alters the cohesion of this existing order, and causes a readjustment of the old to accommodate the new. The inclusion of the new work alters the way in which the past is seen; elements of the past that are noted and realised.
Since the poet engages in a "continual surrender of himself" to the vast order of tradition, artistic creation is a process of depersonalisation. The mature poet is viewed as a medium, through which tradition is channelled and elaborated. They compare the poet to a catalyst in a chemical reaction, in which the reactants are feelings and emotions that are synthesised to create an artistic image that captures and relays these same feelings and emotions.
While the mind of the poet is necessary for the production, it emerges unaffected by the process. The artist stores feelings and emotions and properly unites them into a specific combination, which is the artistic product. What lends greatness to a work of art are not the feelings and emotions themselves, but the nature of the artistic process by which they are synthesised.
The artist is responsible for creating "the pressure, so to speak, under which the fusion takes place. In this view, Eliot rejects the theory that art expresses metaphysical unity in the soul of the poet. The poet is a depersonalised vessel, a mere medium.
Great works do not express the personal emotion of the poet. The poet does not reveal their own unique and novel emotions, but rather, by drawing on ordinary ones and channelling them through the intensity of poetry, they express feelings that surpass, altogether, experienced emotion.
This is what Eliot intends when he discusses poetry as an "escape from emotion.
Another essay found in Selected Essays relates to this notion of the impersonal poet. In " Hamlet and His Problems " Eliot presents the phrase " objective correlative. A particular emotion is created by presenting its correlated objective sign.
The author is depersonalised in this conception, since he is the mere effecter of the sign. And, it is the sign, and not the poet, which creates emotion. The implications here separate Eliot's idea of talent from the conventional definition just as his idea of Tradition is separate from the conventional definitionone so far from it, perhaps, that he chooses never to directly label it as talent.
Whereas the conventional definition of talent, especially in the arts, is a genius that one is born with. Not so for Eliot. Instead, talent is acquired through a careful study of poetry, claiming that Tradition, "cannot be inherited, and if you want it, you must obtain it by great labour.discussion, small group exercises, and large group discussions.
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For an individual who is torn between selecting which of the two sports he should play, it can be very helpful to know the characteristics of the two sports and compare these qualities in order to.
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